Archive for January, 2012

As of right now I am unfollowing anyone on Facebook who posts disturbing pictures. This week I’ve seen twelve dead babies, countless abused animals and one snapshot of two thugs hanging a terrier puppy.

I neither want nor need these things in my mind.

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Fall of Giants (The Century Trilogy #1)Fall of Giants by Ken Follett
My rating: 3 of 5 stars

I should first say that two of my favourite books of all time are _Pillars Of The Earth_ and _The Winds Of War_.

I had hoped that Follett would do for WWI and the Russian Revolution what Wouk did for WWII. I love these types of historical fiction, where the seemingly-dry events of days past come to life through the eyes of characters and the situations in which they find themselves.

The first third of the book is extremely promising, as Follett brings all the players on stage and uses his superb skill at crafting characters to get the reader invested in this story.

But then the worst thing happens. We get to the assassination of the Archduke Franz Ferdinand, and just as that set the world on a collision course, that event does the same thing for the book.

I suspect that Follett wrote this during the same period that he was adapting (poorly) Pillars of the Earth for television. Because once the events unfold in Sarajevo the book turns into a horrible teleplay.

There are still good narrative scenes surrounding the more private dramas of central characters. People give hand jobs in opera houses, have family dustups, all sorts of things one expects to find in a novel. But whenever Something Historical needs to happen, Follett falls back on Teleplay 101. He gets his characters in a room. Dinner Parties, brunches, tea–pick a meal, pick an excuse. Without fail he describes the food briefly and then has two characters on ideological opposing sides start having a “conversation” where he lays out the dueling ideologies of the time. From Sarajevo onward a full third of the book’s text is comprised of expository dialogues set in the dining rooms and restaurants of the world. It feels both incredibly lazy and horribly contrived. This is, in my opinion, where “Show, Don’t Tell” has become a curse to the writing world. Whereas Wouk doesn’t shy away from infodumps in _Winds_, he does so in a way that completely engages the reader. Here Follett is “showing” by means of turning his infodumps into dialog. And it is boring, boring stuff.

Thankfully there are still nuggets of interestingness when he backs away from the “As you know, Bob” method of writing and goes back to the small stories in the lives of his characters. These parts were all that kept me reading past the Battle of the Somme. (Seriously. He reduces one of the bloodiest, most tragic battles of the 20th Century into a brief narrative and a couple dialogue scenes with officers in dugouts. Over tea, of course.)

If the book were smaller, it would have been better. If it were larger it might have been better. As it stands now, it’s only merely a good book because of Follett’s genius with characterisation. If you want a similar read I suggest either Wouk or (even, dare I say it) Jeffrey Archer.

This is only recommended if you REALLY love Follett and are REALLY curious about what one British guy thinks about WWI and the evils of communism.

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I just got hit with the most random realisation ever.

The places I hurt the worst and most frequently are my hands and feet–thanks to arthritis–and my abdomen on the upper & lower left quadrants.

It’s been this way for years but just now it occurs to me that I have a sort of bloodless stigmata. A constant reminder of just exactly what Jesus went through and why he went through it.

Over at Mike Duran’s blog yesterday the topic was the general unfairness of life. Given the fact that I’ve been on both the winning and losing sides of the fairness game I tend not to participate in those kinds of things. It isn’t perhaps seeming fair that I couldnt have children but some other person who seems unsuitable can. And it doesn’t seem fair that I live in a nice house while others are in the street. Trying to weigh a life’s inequities is an exercise in futile frustration.

My mother’s response when we would complain about this or that not being fair was always to tell us that in a fair world Jesus wouldn’t have died on the cross.

Now as I think about the excruciating pain in my hands and feet and belly I realise how incredibly lucky I am. I carry reminders inside of the price that was paid. It’s sort of like God saying “I AM. You are. It is finished. Taste the pain; drink the Grace.”

When I posted a photo of our spectacular sunset earlier in the week I rhetorically asked whom I should thank for it if there were no God. One of my friends asked back why I couldn’t just “be thankful” without needing to thank anyone in particular.

Now with hands and feet throbbing I think of the nails; with side clenched and aching I think of the Centurion’s spear. I need to thank someone in particular because there is someone in particular. Someone who chose this for my sake.

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I don’t know what’s happened to Facebook in the last two weeks. Around Christmas time it was a place where a lot of dialogue was happening. Now it’s bumpersticker-funny picture central. I think most people are probably too downcast to be comfortable sharing what’s in their hearts and so they resort to the constant recycling of motivational snapshots. It’s like going to a cocktail party where everyone is holding a favourite joke up on a stick like a mask while remaining mute.

The problem with this approach is that more and more often folks aren’t thinking about the things they aren’t saying. One look and one quick emotional reaction and then “boom”! Shared! That happened today when this unfortunate picture started making the rounds:

Most people look at that and see the boy’s smile, his human feet replaced with prosthetics and the fact that he’s about to bust through the slogan like the winner’s tape at the end of the run. The natural reaction is to think “what a darling child!” and “if he can run without feet, I can make it until 5:00pm and deal with this annoying coworker!” So they pass it on.

What they don’t see is that there is a world of people out there–and yes, I’m one of them, which is why I’m reacting this way–who cannot run races because they are disabled by body parts that cannot be replaced. There is a world of people out there who are trying to come to grips with being told that they will never be able to [Fill In The Blank] because they have [Fill In The Blank]. And that’s not to mention the many people who are without feet AND don’t have the insurance money for fancy runner’s prosthetics.

These things aren’t “excuses”, they’re real problems. In my world “you have dozens of irremovable tumors pressing against the nerves in your body” and “your immune system is destroying your joint tissue” and “your internal organs are fused together by the equivalent of Gut Kudzu” are real things I have to deal with every day. In my world getting out of bed is sometimes harder than running a race. But I do it. I used to love to run and I no longer can. Are those things excuses? Is there a way I can run even though multiple doctors tell me it’s the worst possible idea? I can swim, do yoga and pilates and other low-impact excercise. Which I do. But I can’t run. Is that an excuse?

And is it _Invalid_? Touchy word to use with people like me in the first place. We used to be called that all the time, albeit with the accent on a different syllable. We know that for centuries society thought we didn’t matter.

Now it seems society is enlightened enough to think that WE matter but that our PROBLEMS don’t. What glorious progress!

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It hasn’t been very long since I first heard the “Show, don’t tell” criticism that is so pervasive in creative writing circles now.

I honestly wasn’t quite sure what was meant by it, and had to ask here what my readers thought it meant. Their responses made sense, and I came to understand it more as a valid criticism.

Lately, however, I am starting to think that it isn’t as valid a criticism as all the workshop leaders and critique partners might want it to be. I’ve been re-reading some of my favourite books, books I love so much that I’ll read them the way other people snack on chocolate and chips. These are books I go back to when I am in the mood to read but can’t take on anything new or unfamiliar. They’re books I go back to when the world outside stops making sense and I want a place to hide. They’re also books that have outsold most other books.

Maeve Binchy, Ken Follett, JK Rowling, Harper Lee, C.S. Lewis–those are all writers whose works are popular, profitable and about which people are passionate. Each and every one of those writers is a Teller. A storyTELLER who uses their skill to tell a story. Don’t get me wrong–other favourite authors like George R.R. Martin excel at showing, and through them I can see how it’s a useful tool in a writer’s kit. But more and more I am struck by how easy and comfortable a well-done Telling read can be.

Different authors have different voices and methods, and I’m beginning to wonder if perhaps it isn’t actually very bad criticism to insist that all books must read like screenplays. Because that’s where I think the Show Don’t Tell rule has come from. It seems to be most evident in American books by American authors who have also written for movies or television or who hope that their books will be sold to movies or television. Looking back through my list I realise that with the exception of Lee (whose book honestly does a bit of both Telling AND Showing), all the best Telling authors are English, Irish, Welsh–they come from a place with a stronger tie to literature and to the past. They come from a place of writing, not movie-making, and their books are meant to be books first and foremost.

After all, aren’t people forever saying that they liked the book better than the movie?

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It’s been a couple of months and a few major holidays since the Occupy Nashville fracas. Just in case you need a memory refresher, the governor created a new law out of the blue which made it illegal to protest on state property after hours. He then employed the TN State Police to arrest and detain members of Occupy Nashville while theatre patrons on the same property at the same time were allowed to move freely. During the arrests of protesters a journalist who identified himself as a member of the press corps was also arrested and detained. There were several days of this imbroglio and mountains of violations of the Bill of Rights. Most people were rightly incensed. Okay, many people. Because there were a few who felt that the Occupiers were such a scourge that the sacrifice of all our rights was completely justifiable. Needless to say I think those people are horribly wrong.

Anyway, fast forward to now. Rand Paul went through the BNA airport screening system that I hate so much. I cried when facing it for the first time last September and still shudder to think about it. All the lines and standing in the scanner with your arms above your head in the classic position of surrender while your (albeit blurry) naked image is piped to another room so that they can be absolutely sure you aren’t going to blow anything up.

Well, Rand Paul set off the scanner. When that happens, the standard procedure is to have a pat-down of your entire body–breasts and crotch included. It’s humiliating and violating and as much a violation of the Constitution as anything that happened in Legislative Plaza last November. Rand Paul* refused the pat down and was, like the members of ON, detained.

I keep reading on Twitter and Facebook that the general mood is that Rand Paul is a privileged d**khead who is whining about being treated like regular people. I read this from the same people who elevated Occupy Nashville detainees as heroes.

Frankly, I don’t see a bit of difference between what Rand Paul did and what the Occupy Nashville people did. Characterising one as a whiny son of priviledge and the others as crusading wunderkinds for the First Amendment is intellectually dishonest and tribalist thinking. “Rand Paul isn’t on our team so we can’t let him claim a place in the battlefront.” This type of position will do nothing but contribute to the rapid erosion of Civil Liberties for all sides of the political cube.

* Not only is the airport scanning a violation of the Fourth Amendment, it is also a violation of Article 1, Section 6 of the Constitution which opens with this:

They shall in all Cases, except Treason, Felony and Breach of the Peace, be privileged from Arrest during their Attendance at the Session of their respective Houses, and in going to and returning from the same;

The thinking behind that is to prohibit folks on the other side of the representative’s position from creating actual roadblocks that would prevent the elected official from exercising his or her duty. So those who complain that Paul is just whining “Do you know who I am?” are actually missing the point. Yes he’s making a point that he’s a Senator. He’s making that point because he has the Constitutionally-protected right to travel without arrest or detention to AND FROM the Senate.

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A while back I posted on some personal information of a sensitive nature. If you are squeamish about medical details or don’t wish to be knowing various things about me, feel free to skip ahead to the next scintillating thing I write about books or TV or whatever. ūüôā (more…)

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It’s been an odd week, reading-wise. I can’t find within myself the will to stick to any story I haven’t already been through once before. As a general rule I don’t like surprises–more often than not they are unsettling and disorienting. So: no surprise parties, no drop-in visitors and above all else no twists in fiction. If I read a book that has a twist I’ll usually read unspoiled for about a third of the book, then I’ll jump to the end, find out the lay of the land when all is said and done and then I’ll flip back to where I left off toward the front of the book to read on. It’s a very odd method, but I know from past conversations I’m not the only one who does it. And it does save the grief of becoming too attached to a character only to have that person dead or turned villain by the end of things. But right now in the doldrums of the dead of winter I can’t bring myself to be even that adventurous. So I’ve been breezing through old Maeve Binchy novels in the same way I drive past the house where I grew up whenever we go back to Fort Wayne.

I did find a recommendation for books that are like Downton Abbey in Entertainment Weekly and it put me on to The House At Tyneford . Funnily enough, this book must have been repackaged to capitalise on Downton Fever because when it was first released it was called The Novel In The Viola. That leads me to wonder if we will see a spate of re-releases and renamed books set in old houses. Already the Downton Trend seems to be just ducky for the resurgence of Vita Sackville-West. Which is great if you haven’t spent most of your life completely annoyed by her. If I had to list the top 5 Literary People Who Drive Me Batty I’d leave three spots open for rotation, reserving two chairs in perpetuity for Ezra Pound and Vita Sackville-West. Yes, that is how much she bugs me. But apparently if you like Downton Abbey you’ll love her books. Her publishers say so! It’s funny, but I’ve always suspected that Tolkein disliked her too, given the fact that the Hobbit Villains in the Shire are the “Sackville-Bagginses”. That makes me chuckle.
Oh right. We’re talking about Downton Books and Upstairs-Downstairsy types of books. I should start my own recommendations, given the fact that some of the books I’ve seen elsewhere have only the barest resemblance to Downtown. From what I can tell, to put a book on the “It’s Like Downton” list you need at least one of these:

1. English Manor House
2. A main character in a below-stairs position
3. Intricate plotting about the goings on of the aristocracy.
4. Set in Edwardian times

Because honestly, some of the stuff on these lists is reaching way overboard. Based on the above criteria I soon expect to see things like Jane Eyre, Wuthering Heights, Rebecca, Wodehouse’s Jeeves novels and The Wind In The Willows. (Extra points for The Wind In The Willows since it actually made a cameo in the first episode of Season 2 of Downton Abbey.)

Anyway, I am so far having fun with The House At Tyneford. Here’s hoping there aren’t that many surprises.

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Wednesday was for protesting SOPA and PIPA, both of which are bad solutions.   

Bad solutions to a good idea.  


Because as unpopular as it is to say so, the Internet has more than a little of the Old West taint to it. That lawlessness that seems charming to some, romantic to others…but deadly dangerous to those who live in the thick of it all. ¬†

When people argue about free speech and the Internet, that somehow seeps into the consciousness of the nation, leaving more than a few people with the idea that Everything On The Internet Is Free.   By the end of the day Wednesday there were more than a few weary souls expressing their adamant belief that while SOPA/PIPA is a terrible idea, the piracy situation on the Web is even worse.    And those people are right.   

I write words for a living and so far there have been only a few instances of my words being used to create content for someone else, and only one instance to my knowledge where that person was profiting from it. ¬† A few years ago someone started a “Nashville Journal” website designed to look like a print newspaper. ¬†The “articles” were actually blog posts by various local bloggers taken directly off their blogs in entirety. ¬†The ads surrounding these articles generated revenue for the owner of the website…none of which was to be paid to those who actually WROTE the content. ¬† When I asked the site creator to no longer feature my work he said that I should be thankful for the publicity and go away. ¬† That’s the usual battlecry of wordthieves on the web. ¬†“Just thank me that I’ve bothered to even read your piddly little blog.” ¬† We’re too little to matter. ¬†

On the other end of the spectrum you have the large entertainment conglomerates who spend millions of dollars producing films, TV shows and music.   Their product is routinely downloaded, uploaded, torrented and shared across the web in a giant bazaar of outright thievery.   And here is where I think it might get a little bit more complicated, and where I think perhaps these corporations are encouraging thievery and piracy to their own detriment.  

Please don’t misunderstand me. ¬†I think stealing is very very wrong. ¬† But I also think that by exploiting the various channels of electronic media, premium content owners have greatly misunderstood the marketplace and are pricing themselves into a problem. ¬† By overcharging for premium content and wrapping digital use restrictions around that content, these publishers and producers have been robbing consumers for nearly a decade. ¬† People who used to pay $15 once for a hardback book are now being told that if they want to read it on their Kindle it’ll be $15 and if their husband wants to read it on his Nook it’ll be another $15 and if they want to have a copy in iBooks2 that’ll be another $18. ¬†Same book, same household. ¬† ¬†Then you have the problem of people who missed the first episode of Alcatraz, which aired for no direct cost to the consumer on Monday, January 16th. ¬† Sure, they can still watch it. ¬†For $3.99 on Amazon UnBox. ¬†

This business of recharging consumers for something they already own has created quite a few pirates out of a great many honest people.  


Now lest you think I’m saying that it’s okay to steal and that the rich guys have it coming–I most definitely am NOT saying that. ¬† But I am saying that as the web grows more popular the content producers may want to think about ways to maximize their market share that don’t bleed the consumer dry. ¬†(HuluPlus is a great model. ¬†For about $10 a month you can watch TV shows you missed the first time around, complete with commercials. ¬†This is how my husband and I caught up on ‘Grimm’ and ‘Up All Night’. ¬†Now we watch the first-run stuff. ¬†We wouldn’t have been so eager if we’d had to pay $5 an episode.) ¬† ¬†

I also think that the punishment is unequal, and if there were a better way to police the web…like ACTUAL police…the thievery problem would get better across the board. ¬† Large movie studios have big fines and punishments for content thieves, but smaller content producers like my friend who runs a knitting website have no law enforcement recourse when her copyrighted knitting patterns are reproduced. ¬†¬†

One of the key problems with SOPA/PIPA was that it gave corporations too much authority–they could instantly shut down any site SUSPECTED of stealing from them and keep that site offline during the trial. ¬† Guilty until proven innocent. ¬† Smaller producers wouldn’t have any recourse at all. ¬†They’d still have to call a lawyer at their own expense, investigate at their own expense, etc. ¬†¬†

Fair Internet Piracy laws should retain the “innocent until proven guilty” standard and an enforcement system that works equally well for content providers of all sizes. ¬† The web is a new frontier and it’s time to start policing it as such.


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SOPA Opera

Today is the big Go Dark Against SOPA/PIPA day, and every corner of the internet is up in arms about this huge, corporate-sponsored mess. Me included.

Internet Piracy is a bad thing and I’m against it. But I’m also against corporations demanding that the Federal government write new laws for them to conduct their business. Don’t let the “Internet Piracy” thing fool you. Because while they are saying that these new laws would be just great to stop people from ripping off movies, what they are really doing is remaking the Internet from the ground up. If you don’t think for one minute that corporations will use SOPA/PIPA to turn the Web into a giant shopping mall then you don’t see the pattern in front of you. If these bills pass it gives corporations the right to shut down any web site that might possibly be using copyrighted material without permission. So Facebook with all the jokey pictures of Twilight–gone. Blogs that use pictures of book covers in writing book reviews–gone. In fact, anybody who reviews anything might be in danger of being shut down by SLAPP==Strategic Lawsuits Against Public Participation. How’d you like to lose your entire blog–all your copyrighted material, all your personal branding, all your web presence–just because you angered a company with a lot of attorneys on retainer?

I have no problem with companies going after thieves who use the internet to steal. (More on that tomorrow, I hope.) But I do think that like everyone else these corporations should have to hire attorneys, sue in the court system and obtain a judgment. I don’t think it’s fair that they should be able to look at a site’s bandwidth traffic and say “we think they MIGHT be stealing from us, Comcast, so turn off their account.” Those corporations will tell you that this new law is necessary because they can’t get favourable judgments in China. Surely, however, I am not alone in noticing that these large companies have no qualms about taking three hundred miles for every inch of leeway they’re given.

* The full text of the SOPA bill is here.

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